- The Vihuela (16th century Spain) - quite large, with 12 strings in 6 courses.
- The Renaissance guitar (16th century France and Italy) - generally plain looking, about the size of the modern ukelele, with 7 strings in 4 courses (the highest string was a single).
- The Baroque guitar (17th and 18th centuries) - still much smaller than the modern classical instrument, usually very ornate, with 9 strings in five courses (the highest string being a single).
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Sites 9
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- The Baroque Guitar :: Printed Music from 1606-1737 Dr Gary Boyes' research into playing styles and repertoire for the Baroque guitar, with an explanation of tablature used in the period.
- Baroque Guitar for the Modern Performer An article exploring the differences between the baroque and modern classical instrument, their respective repertoires, and adapting the older music for the modern instrument.
- Instructions for the Baroque Guitar Three translations of contemporary guidance for Baroque guitar players, covering tuning, tablature, and stringing.
- Guide to Early Instruments :: The Guitar and Vihuela Describes and traces the development of early members of the guitar family.
- A manuscript found in Oporto Preserved in Galvao-Kristófcsák Foundation of Lagos, in Algarve, Portugal, it is a unique, anonymous collection of works for five course Baroque guitar.
- Sixteenth-Century Printed Tablatures An annotated bibliography of tablature written for the lute, vihuela, early guitar, cittern, bandora, mandora, and orpharion; arranged chronologically and by composer.
- The Guitar in England Excerpts from "The Early Guitar: A History and Handbook" (James Tyler, OUP, 1980), describing the development of the vihuela, Renaissance and Baroque, and English guitars, with comments on tunings and playing techniques.
- Monica Hall Baroque Guitar Research Pieces by Corbetta from Castillion's Liege Manuscript and five course guitar stringing.
- The Lute Ring A webring for sites related to lutes and early guitars.